Aaron and I are going to travel the world for a year!
And here’s the other good news: I’ll still be blogging and sharing lots of fun travel stories and pictures from all around the world. It’ll just be in a different place.
Our Travel Blog
I might have mentioned it casually before, but the time has finally come to make the official shift. You see, the truth is we’ve been building a separate travel blog in preparation for our trip, and I won’t be able to maintain two blogs while we’re abroad. As our lives will be focused on all things traveling, I’m consolidating my efforts to just the one blog. If you love my photography (and if you’re following my blog, you hopefully do), and you’ve enjoyed reading about our various travels thus far, I encourage you to follow us over at BIG tiny World Travel. There, we’ve been posting about some of our travels, where we’re going in the coming year, and how we’ve been planning for the big departure. All of them are accompanied by my photos that you’ve come to know and love here!
- 100 Things We Love About Travel
- Top 6 Worldwide Photo Ops to Anticipate
- What I Miss About Japan… And What I Don’t
- Norway: How we Traveled on a Budget in an Expensive Country
- 6 Drinks You Should Try in Costa Rica
The Future of LotsaSmiles

Camera Gear on the Trip

Considerations
We’re going to be on the road for at least 14 months. That’s a long time to cart around heavy equipment. So one of the forefront considerations I have to keep in mind is weight. I absolutely love my Sigma Art lenses, but those suckers are heavy. And do I really want to cart around my honkin’ five-pound bazooka lens? For many of the same reasons, size is a big factor. We are keeping our luggage to carry-on (crazy, right?), so we have very limited space. The more compact the gear, the better. But ultimately, the most important requirement is that I have what I need to shoot what I want to! This means having the lenses with the right focal lengths and minimum apertures.The Camera


Lenses

Wide
I love shooting wide. Most of my landscapes are shot with a wide lens, and the Canon 10-22mm was almost always on my camera …so much so that it saw more than its share of bangs and bumps. Unfortunately, it’s incompatible with the full-frame camera, so it’s time to upgrade. Enter the Canon 16-35mm, the effective equivalent on full-frame. This comes in an f/4.0 or an f/2.8, with the faster lens being more expensive, of course. The 2.8 then also comes in three versions, Mark I to Mark III. The higher Mark denotes both higher quality and higher price, so it’s been a difficult decision to pick one of these four lenses. Do I really need the extra stop? Can I sacrifice slightly lower quality for a better price? What’s actually available used? All four of these are really solid lenses, so there aren’t a lot of folks selling them (and I don’t want to pay for new gear). This last bit will probably ultimately sway my decision. I have a friend selling the f/2.8 Mark II, which might be a good choice. It isn’t as expensive as the Mark III, but it’s better quality than the Mark I. I’ve read the f/4 is sharper in the corners, but the f/2.8 would make shooting wide inside of dark buildings easier. Provided that pans out, I will be taking the Canon 16-35mm f/2.8 Mark II to fill that wide requirement.
Mid-range
With my 10-22mm out of commission, I’ve been lacking in an all-purpose lens to walk around and shoot with. I have some primes, but those can be limiting. I did some research on the most useful lenses, and hands-down, the most recommended is the Canon 24-70mm. This likewise comes in an f/4.0 and an f/2.8 version. The 2.8 also has a Mark I and Mark II version, with a similar pricing spread. My need for the extra stop in this case would likely be influenced by my decision on the wide angle lens. I certainly shouldn’t need both lenses to be faster, and I only have so much money for these lenses. Of course, shopping for both the wide and mid-range at the same time, I didn’t know which I’d buy first or what I’d end up with. I figured I’d try for the 2.8 on the mid-range, as that extra stop would get more use there. Then I spoke with another photographer friend, and he recommended I didn’t need f/2.8 on either lens because I already have some fast primes I could use. Furthermore, I should opt for the Canon 24-105mm instead, as it is that much more versatile. This only comes in an f/4.0 version, with both a Mark I and Mark II. This is a bit more affordable than the 24-70mm. I found a decent deal on the Mark I, so that’s what I wound up with: the Canon 24-105mm f/4.0 Mark I for the mid-range.Telephoto
This is perhaps the easiest one, primarily because I already own it. For jungle tours and African safaris, I know I’ll want something long. A friend tried to convince me to get the Canon 100-400mm, but that seems overly excessive. Sure, I’d get pretty close to those cheetahs, but that would be one more lens I’d need to buy. Fortunately, I already own the Canon 70-200mm f/2.8, and it’s a fantastic lens. I love it and use it all the time and had already planned to bring it (despite its size). Paired with a 1.4x extender, and put on my a6000 (with a 1.5x crop factor), I would get an effective maximum reach of 420mm. True, I could get a crazy 840mm with the 100-400, but it’s not worth buying yet another lens when the one I have should work very well. Therefore, to fill the telephoto need, I’ll be bringing the Canon 70-200 f/2.8 Mark II.
Primes
Finally, for times when I really need that low-light wide aperture, I have a couple primes. This partly influenced my decision to primarily look at the f/4 versions of the other lenses. These are good for extremely low light situations and can even be used for astrophotography. Though they lack the flexibility of the zooms above, the quality is unparalleled. I already have a Sigma 35mm f/1.4 lens. Without a wide, this has been spending the most time on my camera. It’s a beautiful lens, and it’s probably the most versatile of my primes. The one downside is it is heavy. It’s very solidly made, and it feels it. With limited space and weight in our bag, I’m not sure it’s a wise choice. The other is kind of a no-brainer: the Canon 50mm f/1.4. This is so compact and lightweight, I might as well just bring it, even if it probably won’t get as much use as the 35mm would. So the Canon 50mm f/1.4 is almost a certainty for my bag, and the question is if the 35mm is worth also bringing. If I get the 16-35mm f/2.8, I can probably get away with leaving that one at home. Given the weight, it likely isn’t worth the extra two stops.Other Camera Gear

The Perfect Lineup
To summarize, money being no issue, here’s my perfect, around-the-world gear lineup:- Sony a7R Mark III (primary camera)
- Sony a6000 with kit 18-50mm lens (backup camera, commuter, and for when I want the extra zoom)
- Canon 16-35mm f/2.8 Mark III (wide angle lens)
- Canon 24-105mm f/4 Mark II (mid-range/all-purpose lens)
- Canon 70-200mm f/2.8 Mark III with the 1.4x III extender (telephoto lens to get real close)
- Canon 50mm f/1.4 (fast prime for low light)
- GorillaPod 5K (portable tripod)
- Wandrd Camera Cube (bag insert to carry all my gear)
- Sea Frogs 40m Underwater Housing (shipped mid-trip, for underwater shots)

Farewell for now
I’m not going far (digitally), and I hope you’ll all continue to follow our journeys over on our travel blog. I’m super excited, and I can’t wait to see what the coming year brings!When you travel, what do you always make sure you bring with you?
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